This week, we were to write off of the poem"Carpe Demon" by Lucie Brock-Broido. Brock-Broido's poem offers a muscular knife into the perspective of childhood. My draft I've written in reponse explore the idea of a bridge between the life before and after childhood. It plays with the idea of time being rewritable, but that when it is rewritten (unlike code) it's source is utterly changed.
Seismic Shift
In the dark car, the radio fuzz flaps its tongue
over the slack blue bay. Thu-thunk-
thu-thunk of tires on pavement carefully broken then threaded to contain rupture
then loss. The dumb sea spackled in spun clouds. Bridge between before and after—on one
side is a dirtied kneed childhood carved tunnels in high grass, the whisper of creek.
On the other is after—several cities, so many hours sitting in
cubicles coding, rewriting the day like a wiki. That is until the jump:
until feet leave the metal ledge of now; until the bodies falls and twists alphabets
of desire until ice cold water baptizes you back to where you began.
This time awake. This time watching and listening. Small bodies spelling the tall grass into new worlds.
The creek ruptured, but rewriteable, threaded to contain its new banks.
thu-thunk of tires on pavement carefully broken then threaded to contain rupture
then loss. The dumb sea spackled in spun clouds. Bridge between before and after—on one
side is a dirtied kneed childhood carved tunnels in high grass, the whisper of creek.
On the other is after—several cities, so many hours sitting in
cubicles coding, rewriting the day like a wiki. That is until the jump:
until feet leave the metal ledge of now; until the bodies falls and twists alphabets
of desire until ice cold water baptizes you back to where you began.
This time awake. This time watching and listening. Small bodies spelling the tall grass into new worlds.
The creek ruptured, but rewriteable, threaded to contain its new banks.
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