Saturday, November 13, 2010

My Door Poem - a Spoof on the Greek/Roman Form, Paraclausithyron

I'm happy to say my new poem, "Door Poem Between the Self and the Heart" was just published on The Open Doors Poetry Zine.  My poem is a spoof of the Roman form where lovers were kept out of the bed chambers of their beloved and instead wrote poems to door that seperated them.  The Latin Love elegists were big on the Paraclausithyron which literally translated means, ""beside closed door".  My poem plays on this theme changing the conversation in the poem to be between a pre-discovered self and a another self on the other side of the door. 

Saturday, October 30, 2010

New Poems Featured at Raft

Three of my new poems (inclusing audio files) are featured on the new online literary magazine Raft. These are poems where I was experimenting with form - two poems that use adapted computer code (javascript, perl and a little splash of xml) to write lyrics.  Another poem, "Dear Real Life" is an exploded sonnet - a sonnet that speaks in two voices written in two columns. 

November is Poem a Day Month too!

Beginning November 1, I will be participating in another poem-a-day excercise throughout the month thanks to the lovely California poet, Molly Fisk. There is something so powerful about a daily writing practice (it's how my book Inheritance  came about! Writing a poem a day riding the subway into and out of Manhattan from Brooklyn.)  I'm looking forward to whatever comes about!

Friday, June 04, 2010

What the Titanic can teach us about teaching writing

Ocean Explorer Robert Ballard's Ted Talk inspired me recently.  During the beginning of his talk he asserts that everything he needed to know in order to do his job well he did not learn in college.  Science was changing so fast while he was in college that by the time his Professors taught him theories he already knew what he was learning was obsolete.  But instead of challenging the teachers he lied on his tests in order to get an A.  Ballard's point made me think about the steep learning curve we face teaching students how to write using a multitude of mediums the workforce today.  Once we become adept at micro blogging and have successfully developed curriculum to teach students how to use twitter as a communications vehicle in the real world will it be obsolete? Maybe, who knows! Since it's almost impossible to keep up with all of the new mediums, seems like we should leave ourselves open to our students' expertise in using collaborative technology in order to keep up with the curve.  What would Ballard's teacher's have learned had he been taught in a more collaborative environment?

Monday, May 24, 2010

Writing it Real - Shirley Jackson's Memoir Life Among the Savages

I am completely enjoying reading Shirley Jackson's memoir about motherhood entitled, Life Among the Savages.  Thanks to Ayelet Waldman who recommended the text as a "real" account of parenthood (aka the good, the bad, and the ugly about what it is like to raise young children). Jackson (who most famously wrote the chilling, highly anthologized short story, "The Lottery") is writing about parenting her three small children in rural Vermont (after just having left New York City) in the early 1950s.  Jackson's tales may have been written over half a century ago, but her accounts of her oldest son's terrible first weeks of Kindergarten, her daughters cast of imaginary friends, could have been written yesterday.  If you are looking for a well-written, hilarious read about what it is really like to be a parent, I highly recommend this book.

Thursday, May 13, 2010

There is much to be learned about how collaborative technologies can change the way we teach and interact with literature

There is much to be learned about how collaborative technologies can change the way we teach and interact with literature. As a recent Ph.D. with ten years experience working at a Fortune 100 technology company, I know how powerful collaborative technologies can be; however, rarely do you see the right technologies facilitating collaboration within the creative writing and literature classroom and beyond. Students who are constantly updating and checking their Facebook status page will not engage in a discussion driven by a text-heavy PowerPoint slide deck delivered in a darkly lit room. But how will they engage? Do we need to constantly entertain the tweeting youth in order to keep them engaged in the Higher education classroom? Does every college student learn in exactly the same way? No, and no. Technology (especially collaborative technology) evolves because people adapt it to solve problems. My approach to integrating collaborative technology into my creative writing and literature classrooms is to encourage collaboration, expand the modalities used to reach a larger breadth of students, and to open the doors of the classroom to the greater community.
What can we learn from Facebook and Twitter about teaching a poem?
A great deal, some examples are:

The Wisdom of the Crowd – students constantly interact with content on the web. Why not create a learning environment where students can comment on, rate, share and recommend poems?

Ambient intimacy - Typical students have 100s of Facebook friends but only respond and interact with a core group. They do, however, glean information about many more friends through ambient intimacy. Ambient intimacy is the indirect relationship achieved by reading and following someone’s microblog posts. Why not encourage students to follow key microbloggers and bloggers who are experts on the topics you are covering in the course? Who knows what they may learn by following these threads?

Microblogging as a creative tool – writing Twaiku, or poems written in the 140 character-limit form of microblogging can teach students about the power found in brevity. How about requiring 140 character responses to specific poems?
The Collaborative Classroom
Collaborative technologies extend our reach in the classroom by allowing us to create an online community where students can feel empowered to interact with content. Not every student will understand a poem by H.D. by reading it on the page, but by including a video clip and an audio file or by encouraging students to comment on poems and interact with their peers about a poem, more students may come to understand H.D.’s work. The other area where students can be empowered in the Web 2.0 space is in collaborative research. In many American survey courses students listen to one-way lectures and skim through an anthology, with little interaction with the work. But I believe topics like American literature can be opened up especially in the online classroom. By encouraging students to engage and empowering them to do so. How did American literature come to be American literature? How did Alice Walker stumble upon Zora Neale Hurston’s work? Serendipity. By looking for what was not yet there. By introducing students to online databases and resources and teaching them how to access this information and encouraging them to believe that the American canon is a living thing, ever changing, and that they, too, can discover great works of art they feel empowered to look and read more closely.
There are technologies available today where video quality is so high that the person viewed appears real, as if she were sitting across the table for you. Think about the possibilities these technologies could offer up to students? Speakers from around the world could visit the classroom, sharing their knowledge and interacting with the students.

This is by no means an exhaustive list but rather a drop in the bucket. Technology is not something that should be thought of an additional peripheral tool that can/can’t be added to enhance a class. It should be thought of as part of the organic experience of the learning environment, especially within the humanities. The question isn’t what technology can I use to enhance this lesson? It’s more symbiotic - how does this lesson evolve using technology/ how do we evolve this technology to enhance teaching? How can we re-think how we think about texts by using technology? It’s also important not to use technology just to use technology. All technologies are not equal and will not solve the same problems. I’m looking forward to future research in this area – how to evolve how we think about using technologies in the Creative writing classroom not as a means to draw more students to our classrooms but as a means to teach better.

Wednesday, May 12, 2010

Maximize the Surface Area Where Serendipity Can Happen - Web 2.0 Expo in San Francisco

Of course there were no sessions dedicated to the connected/collaborative classroom at the Web 2.0 Expo in San Francisco last week, but a number of the keynote speakers had inspirational messages that could easily be applied to the use and application of Web 2.0 technology in higher education learning.   

One key point was the switch to thinking about Web 2.0 technologies as technologies that are driven by and evolve based on people and how they use these technologies.  Most of the big advances that have happened in the New Media space have happened because people have invented new ways to use existing technologies in new and interesting ways (ways that the developers of these technologies never dreamt of) to maximize the surface area where serendipity can happen. 

In the higher education space it seems like we could learn a lot from our own do they currently use social media to consume/interact with content?  Also, how do we move away from the "all or nothing" philosophy?  What is we were to allow students to interact with content in multiple mediums?  There is a time and place for video, microblogging, podcasts, as well as regular, face-to-face interactive do we learn as educators how to choose the right medium for the content we are teaching?  And how do we accommodate the different types of learners in our classroom by providing content in multiply mediums.
Interesting Keynotes from Web 2.0 Web Expo to check out -

Sunday, May 02, 2010

30 Days / 30 Poems

I've just finished writing a poem a day during the entire month of April thanks to the daily prompts provided by I don't know what will come of all of this writing (or how much of it is salvageable) but the practice of daily writing was truly amazing. Hmmm...maybe I should do this more than one month out of the year?